And I thought “Latino” was the way to go: Pew Hispanic Releases Study

Today the Pew Hispanic Center released a report about Latinos and identity named “When Labels Don’t Fit: Hispanics and Their Views of Identity.” They also sent out this email summarizing the data that they found.

Nearly four decades after the United States government mandated the use of the terms “Hispanic” or “Latino” to categorize Americans who trace their roots to Spanish-speaking countries, a new nationwide survey of Hispanic adults finds that these terms still haven’t been fully embraced by Hispanics themselves. A majority (51%) say they most often identify themselves by their family’s country of origin; just 24% say they prefer a pan-ethnic label.

Moreover, by a ratio of more than two-to-one (69% versus 29%), survey respondents say that the more than 50 million Latinos in the U.S. have many different cultures rather than a shared common culture. Respondents do, however, express a strong, shared connection to the Spanish language. More than eight-in-ten (82%) Latino adults say they speak Spanish, and nearly all (95%) say it is important for future generations to continue to do so.

Hispanics are also divided over how much of a common identity they share with other Americans. About half (47%) say they consider themselves to be very different from the typical American. And just one-in-five (21%) say they use the term “American” most often to describe their identity. On these two measures, U.S.-born Hispanics (who now make up 48% of Hispanic adults in the country) express a stronger sense of affinity with other Americans and America than do immigrant Hispanics.

The survey finds that, regardless of where they were born, large majorities of Latinos say that life in the U.S. is better than in their family’s country of origin. Also, nearly nine-in-ten (87%) say it is important for immigrant Hispanics to learn English in order to succeed in the U.S.

This report explores Latinos’ attitudes about their identity, including race; their language usage patterns; their core values; and their views about the U.S. and their families’ country of origin. It is based on findings from a national bilingual survey of 1,220 Hispanic adults conducted Nov. 9 through Dec. 7, 2011, by the Pew Hispanic Center, a project of the Pew Research Center.

In addition, about 51 percent of people surveyed use their country of origin to identify themselves. This I can understand, especially if you hang out with different Latinos. In a general term, I have always felt that using Latino was the way to go. But according to this study done, more people prefer the term Hispanic to Latino (33 vs. 14 percent).

We are currently in an influx of paying attention to Latinos in the United States. This typically comes in waves. First it was the Latino Boom with Ricky Martin’s music when people realized we were here, then it was the immigration crisis and now it’s the immense population boom from the Census statistics. We’re also in the midst of a presidential election that is more potently discriminatory in various fashions and our community is being used to scare them straight…or crazy: “If you don’t sound appealing to Latinos…”

This study only goes to show what Latinos in the community have been saying all along: We can’t be pigeon-holed. We can’t be categorized. We’re an intelligent group of people, immigrants or native born, and we know what we like and what we don’t. The one piece that I found exceptionally important in this study was the fact that 95 percent of those surveyed felt that it’s important to keep Spanish going in future generations. On top of that, 82 percent of adults surveyed say they speak Spanish. Another thing we’ve said repeatedly: WE’RE BILINGUAL. I feel a sense of warm to finally see numbers portraying our beliefs. Makes me see for a fact that we weren’t just making it all up.

Regardless, the dense studies of the changing Latino demographic are emerging left and right. People have written about it for years, but now we have studies, numbers and statistics. Marketers, corporations and companies are still trying to grasp the meaning of all of this and in a way, so are we. As someone who fits into these studies, I find myself a bit confused in attempting to understand myself from an outsiders perspective. But nonetheless, the one main point that I draw from all of this is that I know what they’re talking about because I’m living it and they’re studying me.

 

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We Must Save Chicago’s Mental Health Clinics

Make sure to pick up an issue of this week’s Extra Newspaper to see the full article I’ve written about this struggle.

The issue of mental health and access to affordable, quality treatment is one that is very important to me. People in my community on the Southwest Side are struggling to find ways to cope with an economic/jobs crisis that puts so much stress on them. This creates a need for more support in maintaining emotional and mental health for their families.

The Mental Health Movement in Chicago has scheduled a public town hall for March 21st in Logan Square to call attention to the effects that the closing of mental health clinics will have on the Latino community. The town hall will take place at Resurrection Catholic Church located at 3043 N. Francisco. The event will feature a panel that includes Former State Senator, City Clerk and Mayoral Candidate Miguel del Valle.

The City Council passed Mayor Rahm’s Emanuel’s proposed 2012 city budget that will close six of 12 mental health clinics operated by the Chicago Department of Public Health. These clinics serve over 5,000 city residents. A group called the Mental Health movement has been organizing against the closure of the six mental health clinics because it will disrupt services to thousands of patients.

In an email to  supporters they wrote: “After the closing and layoffs, there will be a sizable reduction in Spanish speaking services available. This reduction will leave the entire north side of the city without any Spanish speaking services available.”

The Mental Health movement has been very active and well organized. Aside from holding town halls, public hearings and press conferences they’ve also organized direct actions such as singing altered Christmas Carols, staging a sit-in outside Mayor Emanuel’s office in City Hall and mic-checking Rahm during a New Trier ceremony where he received an award (see video).

The group also criticizes the Mayor for “laying the weight of our budget woes on working families while finding ways to lighten the burden on the largest and wealthiest corporations in our City.”

A petition to both the City Council and Commissioner of the Chicago Department of Public Health, Bechara Choucair, M.D, has been started on Change.org demanding that the Mental Health Clinics be kept open. To sign the petition click here.

In the end, these cuts would save each taxpayer only $2 per year. The city would only save about $2.3 million from the budget but the affects this would have on individuals, their families and the communities they’re a part outweigh any possible benefits from these cuts.

Read this statement below taken from an interview I did with Matt Ginsberg-Jaeckle on WRTE Radio Arte.

Mayor Emanuel thought he could just roll over our city’s 99 percent, especially its most vulnerable citizens, by passing a budget that closes half Chicago’s mental health clinics, privatizes all of its neighborhood health centers and cuts off other services to its poorest citizens. He thought twisting arms to get a unanimous vote would keep people from noticing that he balanced the budget on the backs of the city’s poorest communities. He thought people wouldn’t notice he’s cutting the jobs of hundreds of mostly black and Latino workers and slashing needed services in the most under-served communities while expanding benefits for rich corporations. He thought the story would be that he made tough but necessary choices.

Town Hall on Mental Health Clinics

Wednesday March 21st, 2012
7pm-9pm
Resurrection Catholic Church
3043 N. Francisco – Parish Hall

For more information contact: MentalHealthMovement@gmail.com - www.stopchicago.org – (773) 340-9598

Twitter: StopChicago

Facebook: facebook.com/SaveOurClinics

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Canteca de Macao close out another successful Flamenco Festival

After a great month-long Flamenco Festival, Canteca de Macao closed it out with a bang for the second time ever. Dancing, singing and world music brought the Double Door alive in a performance brought to you by RatioNation.com in collaboration with Arte y Vida Chicago and the Instituto Cervantes.

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Los Amigos Invisibles pack the Cubby Bear in Wrigleyville

Los Amigos Invisibles are taking out this year with a bang. Celebrating the end of the world as we know it, the band brought out the party in people and Latinos from all around the city. Jumping, singing and dancing, the packed house and intimate setting made for a great Thursday night.

Sound quality aside, the band brought out its best and most popular songs like Mentiras, Vivire Para Ti, La Vecina and Cuchi Cuchi. We were lucky enough to capture the night through still photos by Abel Arciniega that you can find below.

Did you attend the event? What did you think?

-Christina E. Rodriguez

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Paco Communications releases media breakdown

Let’s face it, you spend a lot of time on your phone, right? Texting, Googling, Facebooking but not really talking.

If you’re Latino, you’re most likely addicted to texting, according to a study released by Paco Communications, that shows a breakdown of TV, Mobile and Internet usage by ethnicity.

Of 259 million Americans, 35 percent of them owned a smartphone in 2011. Of those 35 percent, 44 percent are Latino compared to the 48 percent that are Asian/Pacific Islander and 30 percent Caucasian users. The Black community ties with the Latino at 44.

Another very interesting point that was made in the report was that Latinos and Asian/Pacific Islanders are leading the way in tablet usage. Do you have a tablet? Of the 29 percent of Americans who own some sort of tablet or e-reader, 12.6 percent of them are Latinos and 14.4 percent are Asian/Pacific Islander.

Both communities are also early adapters of new technology and mobile devices. That was evident in reports released about Latina moms online by Mamiverse.com.

Next question: Does this surprise us? As a news/media agency, I’m glad we have up-to-date numbers about this, definitely. But after walking around a mall, sitting on a bus or walking down the street, I could have told you Latinos were addicted to texting. I mean, I am addicted to texting. 

What I found interesting is that although only 3.5 percent of Asian/Pacific Islanders watch videos online, they come in first place with time spent watching videos at 10 hours a month. Approximately 12.1 percent of Latinos watch videos online, but only spend 6.5 hours watching videos.

But I have to admit, I believe that being connected to the digital world has revamped watching television. If you watch Fox at all, you’ll find a hashtag in the corner of the screen (#Glee, #House, #FamilyGuy). Television networks are picking up on what people are doing, so they’re implementing it and getting a lot of traction and feedback because of it. I probably won’t go to their Facebook page to answer a question, but I will probably criticize or praise something about their programs on Twitter. #justsaying  So, let’s look at what they said about TV usage:

  • On average, the American public watched 32 hours and 36 minutes of TV a week at the end of 2011 and of the 38 percent of Americans who owned a DVR, Latinos ranked in dead last with 28.8 percent.
  • But we love live TV. Like I said, Twitter makes it that much more fun and now there’s proof! While watching TV, 40 percent of tablet and smartphone users check email, search the web or are on social media.
  • And who says football isn’t popular among the Latino population? The Super Bowl raked in 10.4 million Latino viewers of 111.3 million who watched in 2012.
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The Grammy Awards: What we loved, what we hated.

The bloggers and I watched the Grammys and we had a lot of things to say about them. But this is a blog post, so we’re going to keep it short and sweet. So here we go…

  • Did you know that the Grammys cut out 31 categories, many of which were formerly claimed by artists of color? Our friends over at Latino Rebels showed this to us. Our bloggers also brought it up and someone said he didn’t like the fact that there was a lack of Latino performers. “But they have their own Grammys!” you say. Yes, but there are also many, many artists who claimed these diverse categories that have nowhere else to be honored or acknowledged.  Check out the petition and see why well-known acts such as Santana, Ruben Blades and Bobby Sanabria have boycotted the Grammys this year. It’s caused quite a stir.
  • We loved Bruno Mars‘ performance. We’re convinced that Filipinos mixed with Latinos make beautiful babies. See below.

  • What more though, is that we loved his hair.

    Bruno Mars | Photo by Getty Images

  • Another thing we loved was the fact that Adeleis back! And not only did she give one stellar performance, but she took home six Grammys! We loved her performance so much, that it totally overshadowed some others that we’ll get to later.

    Adele with 6 | Getty Images

  • And so, if you missed the performance, we’ll show you that too. (We know this is getting insanely long, but live with it!)  This recording is like you’re watching it from you own TV!

  • This was my favorite quote by Bob Lefsetz about the Grammys: “Less is more. Who made a bigger impression last night, Adele or Nicki Minaj? Who sold more records? It’s about music. It goes in the ears, not the eyes.”
  • Which leads us to the worst of the night. Nicki, what in the world were you thinking?! Because TMZ said it best, we’re going to let TMZ say it again.

  • And finally, Bon Iver. I had never heard of him before the award like last year, when no one knew who Esperanza Spaulding was and she, my friends, is amazing. So what did I do? I YouTubed the guy and I found the video below. There are more videos to watch and although he’s soothing, I think the Recording Academy was going for quality over… umm… Lady Gaga wannabe? To each their own, but in the end, Bon Iver (whoever he is) did good.

  • And last but not least, we hated the fact that Chris Brown performed and even more, that little girls everywhere were saying things like, “Chris Brown can beat me any time he wants.” No, girls! Latina Denial said it best in their blog and we will repeat: No, a man can not beat you any time he wants! We’re not even going to show the video because it was sad. Nice try to jump start your career but too bad it ended because smart women didn’t like the fact that you leave chicks with black eyes. Gross!
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Los Hollywood leaves the crowd thirsting for more

Last night, the San Diego trio, Los Hollywood, hit up the Cubby Bear in Wrigleyville. As the opening act for Noches de Rock, which will take place Thursday nights, Los Hollywood was an excellent way to start the series.

The band hadn’t been back to Chicago since 2008, right after they won the MySpace Latino Battle of the Bands competition which not only built their fan base around the country, but launched them into the indie rock scene, playing at South By South West in Austin, Texas and the Latin Alternative Music Conference in New York City.

The band made up of Heidy Flores on vocals, Marcos Mondregon on guitar/bass and Gustavo Mojica on drums, recently ended their mini-Southern California tour, was only in for two days and had the opportunity to see Los Rieleros del Norte and K-Paz de la Sierra at VLive. The fact that they got a shout out from the stage, had an opportunity to hang out with Los Rieleros and got back stage access, threw Flores for a whirlwind.

“De repente dice uno de ellos, ‘Saludos a Los Hollywood!’ and I was excited!” said Flores. “He said it twice.”

The Cubby Bear performance started close to 11 p.m. with a fairly decent crowd. As soon as they took stage, people clapped, whistled and cheered.

Although many of us in the audience didn’t find out about this show until this week, it was still a good time. According to their manager, Guillermo Wightman, this show was planned a mere three weeks ago. They got the call, booked the tickets and here they were.

This was the first time for Mondregon in Chicago. He was living in Mexico for two years and wasn’t on the first trip.

“It’s awesome. It’s an awesome city and I’m happy to be here,” he said. “I was in Mexico and I was tryin to fix my papers and my immigration status. I’m happy to be back.”

Flores’ voice was as magical on stage. The music really spoke for itself. New fans could not stop talking about the sharpness and the beauty of the songs they heard for the first time.

Flores and Mondregon played a new song called Cucu, representative of the heart in love. Upbeat and cute, the song is a definite upside to the music the band is producing. Most of the songs, they said, are about love.

For the past few years, Los Hollywood have been in the process of writing and figuring out just where they want their new album to go. Within the time they’ve been away from Chicago, they released a second EP, which I didn’t hear about until last night. But all of those elements will be going into the new album produced by Thom Russo, which they hope will be out by summer of 2012.

“We’re very excited because we’re going to work with a great producer who’s worked with Johnny Cash, Michael Jackson,” said Flores. ” [In] Latin America I would say Juanes, Mana. He just recently went to the Latin Grammys this year as a sound egineer. He now has 16 Grammys.”

The music on the new album is going to be an improvement and a change for sure, they all agreed.

“I think we’ve grown in these past three years since we came. I think the songs are going to be way better, the production, everything is going to sound a lot better,” said Flores.

The three have been working tediously on the lyrics to the songs, locking themselves away until they emerge with a hit, they said. But they never try to force or finish a song just to finish it. The lyrics have to come to them, they said.

“We’re not machines, you know? We’re not always producing songs. Pero queremos sacar canciones que le guste a la gente,” Mojica said. One song in particular took them a month to finish writing.  ”La cancion no queria ser terminada,” laughed Mojica.

“Some songs are like the first EP but everything is different. Things are different. Ahora los tres somos mas involucrados in the song writing,” Flores added.

Though the album isn’t done, it’s almost there. Once they land in San Diego, they’ll be going back to write more songs and finish the album.

The band played about four of their new songs, which seemed to hit home with the audience. Of course they played “No Te Aguites,” their fist single that everyone adores, “Te Quiero Tanto” and “Gira, Gira” off of their fist EP. People in the audience were definitely singing along.

Though their music is growing and changing, Mojica claimed that there will always be that “Los Hollywood” sound to their music.

“Even si tocamos cumbia, Los Hollywood will be there.  Creo que es la forma que tocamos juntos los tres. Cuando nos juntamos a tocar, sale el sonido de Los Hollywood,” he said.

It definitely showed last night. They ended their 10-song set list and decided to play just one more, with which the audience wasn’t satisfied. They left the stage only to be invited back on by screaming, whistling and chants of “Otra! Otra!”

What people don’t usually know is that Flores sang rancheras and mariachi music before finding her love for rock and pop. Mojica told me years ago that that’s how he came to find out who she was. She was the girl that sang Mariachi and played guitar in San Diego. The first song they ever played together was Alanis Morisette’s “You Oughta Know.”

As she came back on stage, they decided to play a ranchera that had people clapping and whistling up a storm. The girl still has it.

Over all, it was an excellent performance on a mild night in the city. The band said they had a blast and look forward to being back again. Meanwhile, they have big plans coming up like visiting Colombia, Spain and of course, Mexico.

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Ana Tijoux’s sophomore album drops Tuesday

Have you heard about Ana Tijoux’s new album, “La Bala”? Featuring 11 new songs and a collaboration with Jorge Drexler, among other artists, this album is sure to be a chart topper. Politically charged, enlightened and groovy, Tijoux takes a lot of the energy from her debut album “1977″ and brings it back again.

I had the pleasure of meeting Tijoux at the Latin Alternative Music Conference is New York City two years ago. Very talkative, educated and charming, Tijoux spoke to us about her climb to the top. In addition, I was also lucky enough to catch her performance at Lollapalooza last year, where she packed the house. People of all different shapes, colors and backgrounds were there, waving their hands, dancing with her music and some were even singing along.

Her recently released single “Shock” from the new album has already been named “Single of the Week” on iTunes Latino and has been featured on NPR and this Tuesday you’ll be able to get your hands on the new album, which was recorded in Santiago, Chile and mixed and mastered in Detroit.

Because of student protests in Chile and other worldly events, Tijoux was inspired to write “Shock” and pay homage to the protesters of her home country. The rapper, who was born in France to a French mother and Chilean father, there due to political exile during Pinochet’s regime, is multilingual and actually started rapping first in French then in Spanish. Tijoux has also claimed to know a little Japanese.

Wait to hear the buzz more as soon as the album is released. For now, check out the video to “Shock,” shot last year in Chile.

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For-profit college:the slippery slope and student loan debt

 

As much as the general public wants to blame for-profit universities for false promises, the people who apply to these schools should shoulder some of the blame. People should look into the school that they apply to before they are crushed by student loans. Illinois Attorney General Lisa Madigan is suing local for-profit university Westwood College for providing false hope and rising student loans to students in the criminal justice program. When these students graduate, they are hit with the harsh reality: Their degree is from a university that is not accredited.

Accreditation is the act of granting credit or recognition to educational institutions that maintains suitable standards.

I have heard the stories of people who went to for-profits schools only to be crushed by student loan debt. It is sad.

However, it is hard to sympathize with someone who did not find a job because they later found out that the school they went to was not accredited. As someone who will soon have a Master’s degree from a for-profit university, before I signed up I checked to see if the school was accredited and looked to see if I could handle the course load.

The elephant in the room about for-profit universities that no one like to talk about is some of the people who apply to the school get overwhelmed by the coursework. These people usually drop out owing money to a school they obviously had no business being in the first place.

 

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

Morrissey performs at the Congress Theater

I got there a little late. I ran the four blocks from where I parked with tickets to see Morrissey in my back pocket. I had been waiting for this, but didn’t think it was going to happen. Lucky for me, I have friends who think of me when they think of good music. I was going to get to see Morrissey live in concert.

So, I’m going to admit, I haven’t been a fan very long. Judging that The Smiths were around for only four short years, from 1983 to ’87, I had first made contact with them while reading “The Perks of Being a Wallflower” about a adolecent boy who wrote letters to a unnamed source about his life. In the book, the boy makes a mixed tape of which I copied and made into a CD. “Asleep” was the only song by The Smiths on that playlist and I loved it.

During those four years, Morrissey’s voice and Johnny Marr’s riffs had changed the world in five albums. The lyrics that Morrissey sang hit home for so many people, especially Latinos, which is what you saw among the thousands last Saturday night at the Congress Theater. There is a documentary I have yet to see titled, “Passions Just Like Mine” which talks about the large Latino (predominantly Mexican) fan base that The Smiths captivated in Los Angeles.

There was literally no room at the Theater to get a clear view of Morrissey and his hair and his style. The back drops changed colors from red to blue as he sang. People downstairs in the mob, danced and put their fists up in the air with every lyric. Others danced and everyone sang along to classic songs like, “Everyday is Like Sunday” and “There Is A Light That Never Goes Out” and “First of the Gang to Die” and “When I Last Spoke To Carol.”

It was 1987 when the band decided to break up. Morrissey didn’t realize Marr was going to pull the plug on the project, but he did. The two ended up in court over music rights, which cost Morrissey a pretty penny; nonetheless leading him to initiate his own solo career as the famed musician he continues to be.

The emotion was there. The people in the front row jumped like fish, leaping at the stage and the security guards stood there, waiting, surrounding Morrissey as he continued singing, not missing a lyric. His hands shot out to the crowd, gracefully touching their hands, some fans refused to let go. As others who made it on to the stage were being dragged away on their heels, the legendary singer reached out to them and touched them; a gift bestowed to so few.

As it was pointed out in the documentary, “The Importance of Being Morrissey,” most of those leaping at the singer are men, not women. As one writer put it, “I think it speaks to the homosexual component of heterosexual men.”

The relationship between Morrissey and his audience is amazing. The feel, the calm soothing voice can make anyone believe that it’s all going to be OK. There is a sense of hope in all of his songs which read like poetry and sound so unique, the language that protrudes in his music cannot be distinctly described. Just read this piece, which is pretty long, taken from Believer Magazine. In this article titled “The Passion of Morrissey,”  the writer talks about this fine line that the singer has crossed, between religious icon and a musical superstar.

It’s as if his touch could cure, says “The Importance of Being Morrissey.” And to some, rightfully so. The night ended early as a mere 90 minutes set came to a close while crazy fans leaped on stage in attempts at one last touch or sight of the passionate singer. The band came out for one last bow and the lights suddenly turned on in the 85-year-old theater. I looked at my friend who I found on a whim and said, “Well, I guess that’s it,” followed by an “Oh, man! That was awesome!”

I’m glad my friend thought of me for those tickets. Although, I still had an extra ticket in my back pocket, I’m kind of glad I got to experience this one alone, for the most part. It was one of those nights.

The Smiths: There Is A Light That Never Goes Out

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