Record Store Saturday in Chicago

Music lovers have been celebrating all week in anticipation of today, April 21st, also known as Record Store Day. This is the day marked for independently owned record stores to come together with artists and celebrate the art of music. (But hey, if you can do this every day, which some of us do, then by all means go forth and celebrate!) It’s especially great when you live in a city like Chicago, where related activities abound.

Below are a few options we’ve put together for today’s festivities, all with a sassy Latino twist. Let us know where you’re headed!

FAVORITE RECORDS ftg. (((SONORAMA))), BRYAN MARTIN, SONIDO TRITON

The record shop located at 1535 W. Division will feature 100% vinyl rhythms from Jamaica, Latin America and the Caribbean with invited DJs (((SONORAMA))), Bryan Martin and Sonido Triton. There will also be a poster and record show display (with some cool items for sale) by Chema Skandal. 6PM, FREE.

CONGRESS THEATER ftg. BELANOVA, PERFECT KISS, TRANCID and more…

Mexican pop band Belanova, known for their candy-coated synth sounds, performs at the Congress Theater located at 2135 N. Milwaukee. The concert includes popular Chicago electro/dance/rock band, Perfect Kiss. You can also catch DJs Trancid, Enrique Tobias, Rude Gentleman and Verde Paris warming up the show in the lobby. 8PM, $30-$50. 

JAPANESE CULTURE CENTER – RECYCLED & INTERACTIVE ART SHOW

Julieta Alvarez, of soaringbird studios, has curated the evening’s art exhibit, which is their second installation at the Center in the Lakeview neighborhood located at 1016 W. Belmont. The exhibit features work by artists Jose Calvo, Larry Auld, Jacinto Ariza, Dan Rangel, Tim Peters, Jarett Rudar and Julieta Alvarez. The evening’s featured artists are Karina Calvo, Noemi Gonzalez and Marissa Macias. 6PM. Free. All ages.

Have fun today!

So much violence. Where are the answers?

Special contribution by Stephen Franklin

I’m frustrated and maybe you can help.

I hope you can. 

When I first read the news accounts of 6-year-old Aliyah Shell’s death, it sadly seemed like so many other news stories.

A child killed by a random bullet. Police say it may be gang-related. Family, neighbors, and many others are heart-broken and outraged.

Same story, again.

Next I saw Superintendent Garry McCarthy, quoted at a news conference saying that the gun violence which fatally swallowed Aliyah Shell and nine others and injured 39 others over the weekend, was largely the result of gang violence.

And gangs have splintered and sprawled, he said, according to a story in the Sun-Times, making it more difficult to track them. Still, he said police know that gangs have had a greater role in the mayhem, claiming as much as 80 percent of the firearm violence in the city.

What I would like to know is what is exactly going on with these gangs. I remember folks from CeaseFire saying a while ago that some of the violence nowadays comes form gang wannabes, or just dumb tough kids, which makes it even more chaotic.

I would like to know why gangs live on in here despite years of police crackdowns. What is missing here? Not long ago I figured out that possibly as much as $100 million comes into Chicago yearly to deal with youth violence.

Tell me if this money is making a difference. Tell me if goes off in different directions or there’s a broad strategy in place.

And what feeds the gangs’ existence?

Is it the poverty that appears deeper and more punishing in many poor black and Latino communities?

Is it the sea of guns? If so, tell me about these guns. Where do they come from? What kind of guns are they? Tell me about the life of a gun so I can see the toll it takes.

Is the drugs? If so, tell me how they are marketed and who sells them and what happens the dealers? Let me see the lines that connect the drug links here.

I see from the Tribune that homicides are up 42 percent so far this year, and nonfatal shootings are up, too, 38 percent. I wonder about people who have been shot multiple times because we know that’s a reality too.  How many carry such wounds?

Tell me where the violence reigns. What streets? What police beats? Tell me who are the people the police arrest.

Tell me about violence’s long lingering impact on the streets where it happened, on the victims and the families it touched and  on the  emergency crews, the police, the court workers and all who regularly face it. Take me to the county jail or state prison or wherever I can hear from those who are the major actors in this terrible tragedy.

I wonder too about the latest count of those who have been paralyzed or disabled from the violence. I’ve heard that these numbers have been growing lately.

Help me see the larger picture.

Tell me what is happening in this broad human context so I can see where differences might be made.

Help me to spread the word that we don’t want the same story with few questions asked and few answers offered.

So, please pass the word that we have to know more.

If you work for a non-profit agency, or you are a journalist, or you simply care about what’s happening, talk to me. Let’s change the story.

We need to understand so we don’t hear the same story again and again this summer.

Talk to me. And most importantly, talk to the news media.

Steve@chicagoistheworld.org

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Lila gets Down

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Sones de México opened up the night playing to a very diverse crowd gathered to see Lila Downs at the Congress Theater on March 3. Paintings from local artists hung on the walls of the venue. People of all ages, from elders to young children, were present to see the colorful Downs perform to a full house. She sang some old classics while performing songs from her new CD “Pecados y Milagros.”

Teatro Luna starts new chapter at Luna Central

After a decade of inspiring social change through the performing arts, Teatro Luna, Chicago’s first and only all-Latina theater, has opened LUNA CENTRAL, a community multi-venue center to continue expanding their mission of providing a space for artists and organizations to create conversations and productions on diversity issues.

Executive Director, Alexandra Meda, and the talented women at Teatro Luna have been developing this idea for years. ”We believe in the power of performance to change lives, to impact social change around the country and having a home only helps forward that tenfold,” says Meda.

LUNA CENTRAL, a community driven center, located at 3914 N. Clark St. provides a home for special events, meetings, productions, concerts, screenings and live performances and more at affordable rates in addition to offering free resources and programming.

The center aims to provide a forum for political, social and educational outreach. It’ll continue Teatro Luna’s vision of giving a voice to those who historically have not had one. “We are dedicated to expanding the range of opportunities for Latina/Hispana artists on Chicago stages and beyond,” Meda explains.

Now in it’s 11th season–dedicated to immigration, race and borders– LUNA CENTRAL located at 3914 N. Clark St. sets the stage for their current play, CROSSED: IMMIGRANT=MEXICAN? running through March 18. The play tackles the notion of what it means to be an immigrant in the U.S. and explores the stereotypes and struggles that come with this status.

Be sure to visit the much anticipated LUNA CENTRAL, Lakeview’s first Arts Center dedicated to creating diverse work and hoping to make an impact with and for the community.

 

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Old Town School of Folk Music hosts Paseo Jarocho

Performance at the Old Town School of Folk Music |Photo taken by Te Ven

Wednesday night was a big night for cultural and social events. The Old Town School of Folk Music hosted their first commissioned event of five, titled Paseo Jarocho. We got some shaky video of one of the best parts: Son Jarocho blended with Middle Eastern and Flamenco music. It was beautifully stunning as the audience was allowed to view the cultural connections Latinos carry across the world.

“Old Town School comissioned the piece three or four months ago and we started getting together with one or another group every week,” said Jaime Garza, who plays the Leona for Son Del Viento. “Then last month [we met] three times a week with different bands [from different] regions.”

From baroque music to Moroccan music, Son Jarocho to the Caribbean Bomba, the night exemplified just how similar cultures are musically. The idea of having all of those sounds on stage was absolutely stunning and brought about a pride in the demonstration of the similarities that lie in our connected cultures.

“Centuries in the making,” Garza said.

Before the Spanish inquisition, Muslims lived and ruled Spain, bringing in their music from various parts of the surrounding areas, heavy in stringed instruments and light beats. Because of geographical closeness of Morocco, the African rhythms also crept in to Spain and all of those pieces and elements resulted in the creation of Flamenco which incorporated many Middle Eastern sounds as well. Bomba, originating in the northeast regions of Puerto Rico, came from African slaves from Ghana in the 1800s.

(Lower the volume when listening to improve sound.)

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Black History Month is for everyone

Gas mask, fire extinguisher, lawn mower, peanut butter, traffic light, cell phone, air conditioner, pencil sharpener, stove, refrigerator and an ironing board. They all have one thing in common– African Americans invented them. Black History month highlights the achievements of African-Americans. These achievements have had an effect on everyone in America. It is not just a celebration just for African-Americans but a celebration of the human spirit.

A man named Carter G. Woodson created Black History Month. Woodson was the son former slaves who received his bachelor’s and master’s degree from the University of Chicago. In 1912, Woodson became only the second African-American to earn a doctorate from Harvard University.

Black History Month was first called “Negro History Week.” Woodson chose the second week in February because both Frederick Douglass and Abraham Lincoln were born in the month of February. He viewed the two men as visionaries who influenced the lives of African-Americans. In 1976, the week was extended to one month to allow for more activities and programs.

Like the events that celebrate the Latino culture, Black History Months is about remembering the past by looking forward to the future.

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

Strange placement of a billboard in Pilsen

So I was on a CTA bus last week when I saw a billboard promoting tourism in Arizona. In any other situation I wouldn’t think twice about a billboard promoting tourism. But this particular billboard was at the corner of Ashland and Cermak. The billboard was in Pilsen, a predominately Latino neighborhood that has strong feelings one way or another about immigration. To make matters worse, Arizona has very strict laws regarding illegal immigration.

So I got in touch with someone from the Arizona board of tourism to find out why the billboard was placed in that neighborhood. I spoke with Kiva Couchon, Communications Manager and Public Information Officer.

”According to our agency’s marketing research, Chicago is a top visitor demographic for Arizona. We focus many of our traditional and digital advertising efforts throughout the greater city of Chicago. From Cactus League spring training excitement to the state’s amazing weather and outdoor adventures, Arizona appeals to visitors from Chicago. And that is something that we certainly appreciate!”

Believe it or not the numbers back her up. Outside of California and Texas the most visitors to Arizona come from the state of Illinois. Also, I have seen different version of the Arizona board of tourism billboard by Midway Airport and by the Magnificent Mile.

You could say that either the Arizona board of tourism just didn’t know better or placing that billboard in Pilsen was an aggressive way of spinning damage control. We’ll see.

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.